In my creative practice, I delve into mediation, boundaries, and exchanges between humans and their environments. This artistic practice is integral to my curatorial research, exploring how layers of material and perception shape our experiences across scales, from personal to ecosystemic. I work across media—text, painting, video, installation—to create intermedia spaces that invite sensory engagement and reflection.

Recurring themes include translucency, projection, and layering, mirroring the systems of communication that shape our interactions. For example, Driven Pheasant uses mixed media to create spaces where human and non-human actions intertwine, while Environmental Performance – Waiting for the Bunny focuses on the roles of non-human actors in shared ecosystems.